Alberto Vargas is considered the best pinup painter. Peruvian born and son of a photographer, he studied art in Europe and soon after migrated to the U.S. in 1916.
He started work for movie studios, and after World War II he became known as the creator of the era of pin-ups. Much of his work was favored by magazines such as Playboy and Esquire.
Vargas’ illustrations and paintings are classically done. Soft brush strokes,beautiful women and the iconic tease poses. Vargas is a true inspiration. He set the foundation of the pin-up culture. Defining the movement for sexual expression during a progressive era.
I admire his passion and respect of the female as his consistent muse. Vargas will always be an inspiration to me because he gave us the image of the pinup girl.
Little Sunday adventure with a group of long boarders. An easy two hour drive to a secluded area with the most beautiful scenery. The skate and sunset made a perfect Sunday.
Having a pin-up style in a very active environment can be hard. No circle skirts, petticoats, or tea-length dresses. Instead I opted for a kitsch top with graphic watermelons, along with a pair of high-waisted shorts. Oh, and a hoodie borrowed from a best friend.
One of my best friends has recently been published in a new collection of poetry and short stories. She is one of many well-established Filipino writers. I am so proud of her! Ever since high school, we were the bookworms. We even took the English elective together! So seeing how far she’s come at such a young age makes me so teary eyed.
I attended the book launch at PowerBooks Greenbelt 4. Many of the writers were in attendance as well as the two editors Noelle De Jesus and Mookie Katigbak-Lacuesta. The book is titled ‘Fast Food Fiction Delivery’ which you can grab a copy at your nearest major bookstore (Php 220)
My outfit for the day was just a simple black on black with a teal peplum skirt. Bettie-bangs were styles today and a casual winged liner.
Go go and order that fast food fiction!
Fast Food Fiction Deivery (Php 220)Trish Shishikura.
With the editors Mookie Katigbak-Lacuesta and Noelle Q. De Jesus